News
Galerie m - new location
aufgehen, the first exhibition at the new location Galeriem in Duisburg is installed.
We are open by appointment. Please contact mail@galerie-m.com or call 49-203-39224886 to arrange your visit.
New address:
Galeriem
Factory in the courtyard
Krummacherstraße 36 | 47051 Duisburg | Germany
Fon +49-203-39224886 | mail@galerie-m.com
aufgehen, the first exhibition at the new location Galeriem in Duisburg is installed.
We are open by appointment. Please contact mail@galerie-m.com or call 49-203-39224886 to arrange your visit.
New address:
Galeriem
Factory in the courtyard
Krummacherstraße 36 | 47051 Duisburg | Germany
Fon +49-203-39224886 | mail@galerie-m.com
Boris Savelev
Lichtmembrane
Oktober 1 2025 bis Januar 30 2026
Lichtmembrane
Oktober 1 2025 bis Januar 30 2026
Lucinda Devlin, The Omega Suites
Electric Chair Greensville Correctional Facility,
Jarratt, Virginia, 1991
C-Print, 100 x100 cm
Lucinda Devlin
(In)Visibilty of Violence
Kunsthalle Gießen August 23 - November 2 2025
(In)Visibility of Violence seeks to explore these unequal power structures and the visual regimes that shape the perception of violence: What societal, political, and media mechanisms make violence visible or invisible? How is violence documented, instrumentalized, or censored? What creative and artistic approaches can render violence perceptible? How do artists employ strategies such as alienation, censorship, documentation, or spectacularization to depict or obscure violence?
(In)Visibilty of Violence
Kunsthalle Gießen August 23 - November 2 2025
(In)Visibility of Violence seeks to explore these unequal power structures and the visual regimes that shape the perception of violence: What societal, political, and media mechanisms make violence visible or invisible? How is violence documented, instrumentalized, or censored? What creative and artistic approaches can render violence perceptible? How do artists employ strategies such as alienation, censorship, documentation, or spectacularization to depict or obscure violence?
Places Journal
Hugh Campbell In a Picture: “Phoenix Park on a Sunday, Dublin”
Evelyn Hofer’s portrait of Gaelic football players says as much about the setting as it does her subjects. Her camera captures four athletes in jewel-toned jerseys, and an Ireland in slow transition.
Melanie Manchot
Film Still from Liquid Skin, 2023
Melanie Manchot
in: Nightlive
Museum Sinclair Haus, Bad Homburg, 21. September 2025 - 15. Februar 2026
in: Nightlive
Museum Sinclair Haus, Bad Homburg, 21. September 2025 - 15. Februar 2026
Dirk Reinartz: Auschwitz II/Birkenau, Rampe, 1993, Gelatine-Silber-Papier, 25,5 x 16,5 cm; Estate Dirk Reinartz / Deutsche Fotothek and Stiftung F.C. Gundlach
Dirk Reinartz
deathly still
deathly still
Reproduction:
Laura Letinsky, Untitled #23, 1999
Hardly More Than Ever Series
Chromogenic Print
MORE THAN EVER!
Franka Hörnschemeyer & Laura Letinsky
The new presentation of the collection integrates high-profile acquisitions, donations and loans from recent years into the existing exemplary holdings and initiates a polyphonic dialogue about times, spaces and artistic individualities.
Sculptures by artists Franka Hörnschemeyer, Magali Reus and Olga Balema, a diptych by painter Karin Kneffel, and paintings and drawings by artists such as Jan van Goyen are being shown to the public for the first time. Donations from Pia Fries, Anton Henning and the American photographer Laura Letinsky are joined by long-term loans from artists such as Tata Ronkholz, Andreas Schmitten, Andy Warhol and Robert Indiana, as well as series of works by artists celebrating anniversaries this year, such as Richard Long, Ulrich Erben and Günther Uecker.
Franka Hörnschemeyer & Laura Letinsky
The new presentation of the collection integrates high-profile acquisitions, donations and loans from recent years into the existing exemplary holdings and initiates a polyphonic dialogue about times, spaces and artistic individualities.
Sculptures by artists Franka Hörnschemeyer, Magali Reus and Olga Balema, a diptych by painter Karin Kneffel, and paintings and drawings by artists such as Jan van Goyen are being shown to the public for the first time. Donations from Pia Fries, Anton Henning and the American photographer Laura Letinsky are joined by long-term loans from artists such as Tata Ronkholz, Andreas Schmitten, Andy Warhol and Robert Indiana, as well as series of works by artists celebrating anniversaries this year, such as Richard Long, Ulrich Erben and Günther Uecker.
Boris Savelev
Museo Centro Gaiás, Santiago de Compostela
Viewfinder, a way of seeing, at Cidade da Cultura de Galicia, Museo Centro Gaiás, Santiago de Compostela
June 16 - November 2 2025
Boris Savelev and his wife, Natalia, fled Ukraine at the start of the war and became refugees in Madrid. In the six months after his arrival, Boris Savelev prepared and printed eight portfolios covering his life’s work to date. They moved to Galicia in 2023 and are now resident in Vigo.
Museo Centro Gaiás, Santiago de Compostela
Viewfinder, a way of seeing, at Cidade da Cultura de Galicia, Museo Centro Gaiás, Santiago de Compostela
June 16 - November 2 2025
Boris Savelev and his wife, Natalia, fled Ukraine at the start of the war and became refugees in Madrid. In the six months after his arrival, Boris Savelev prepared and printed eight portfolios covering his life’s work to date. They moved to Galicia in 2023 and are now resident in Vigo.
Thomas Florschuetz
untitled (Doppeltes Glück), Plexus, 1994
4teilig, 243 x 363 cm
Cibachrome
Thomas Florschuetz
in: Kybernetik - Vernetzte Systeme
DZ Bank Kulturstiftung, Juni 4th - Oktober 18th 2025
in: Kybernetik - Vernetzte Systeme
DZ Bank Kulturstiftung, Juni 4th - Oktober 18th 2025
Melanie Manchot
Alpine Diskomiks, 2019
50 vinyl records, recordplayer, cover, sound
ca. 21 m, Sound 19 min
Melanie Manchot
in: Isa Mona Lisa
Hamburger Kunsthalle, Oktober 18 2024 - Oktober 18 2026
»Isa Mona Lisa« is the ironic and playful title chosen for a large-scale exhibition that provides a lively glimpse of recent art via a selection of unusual works by international contemporary artists. The title is taken from an eponymous photograph by Wolfgang Tillmans (b. 1968) of his artist colleague Isa Genzken (b. 1948), and both are represented with works in the exhibition. Melanie Manchot's work Alpine Diskomiks from 2019, acquired in 2022, will be shown.
in: Isa Mona Lisa
Hamburger Kunsthalle, Oktober 18 2024 - Oktober 18 2026
»Isa Mona Lisa« is the ironic and playful title chosen for a large-scale exhibition that provides a lively glimpse of recent art via a selection of unusual works by international contemporary artists. The title is taken from an eponymous photograph by Wolfgang Tillmans (b. 1968) of his artist colleague Isa Genzken (b. 1948), and both are represented with works in the exhibition. Melanie Manchot's work Alpine Diskomiks from 2019, acquired in 2022, will be shown.
Evelyn Hofer
Photos That Capture the Soul of 1960s Dublin
Article by Erica Ackerberg in: The New York Times, 26.01.2024
Photos That Capture the Soul of 1960s Dublin
Article by Erica Ackerberg in: The New York Times, 26.01.2024
Simone Nieweg
Grabeland | Victory Garden
on neuefotografie.com
"For many years, I have been on photographic journeys in search of agricultural areas that are used privately for growing fruit and vegetables. What fascinates me about these areas, which are usually only a few hectares in size, is the manual transformation of the natural conditions, whose small-scale nature often goes hand in hand with great visual richness." (Simone Nieweg)
Grabeland | Victory Garden
on neuefotografie.com
"For many years, I have been on photographic journeys in search of agricultural areas that are used privately for growing fruit and vegetables. What fascinates me about these areas, which are usually only a few hectares in size, is the manual transformation of the natural conditions, whose small-scale nature often goes hand in hand with great visual richness." (Simone Nieweg)
Thomas Florschuetz
in: Nationalgalerie: A Collection for the 21st Century
bis auf Weiteres im Hamburger Bahnhof - Nationalgalerie der Gegenwart, Berlin
The Hamburger Bahnhof presents a multi-layered panorama of Berlin's art scene and the city itself, spanning from the threshold of the opening of the Berlin Wall through to the present. With the new presentation of the collection in the west wing, the Hamburger Bahnhof invites the public to reflect on the role of art and cultural institutions in fostering inclusion, engagement and social transformation. "Untitled (Palast) 53" by Thomas Florschuetz has been on show since 21 November.
in: Nationalgalerie: A Collection for the 21st Century
bis auf Weiteres im Hamburger Bahnhof - Nationalgalerie der Gegenwart, Berlin
The Hamburger Bahnhof presents a multi-layered panorama of Berlin's art scene and the city itself, spanning from the threshold of the opening of the Berlin Wall through to the present. With the new presentation of the collection in the west wing, the Hamburger Bahnhof invites the public to reflect on the role of art and cultural institutions in fostering inclusion, engagement and social transformation. "Untitled (Palast) 53" by Thomas Florschuetz has been on show since 21 November.
Elisabeth Vary
in the Presentation of the permanent collection
Aargauer Kunsthaus
The Aargauer Kunsthaus is showing two works by Elisabeth Vary in its' presentation of the permanent collection.
Photo: Timo Ullmann, exhibition view of the Aargauer Kunsthaus, Aargau, 2021.
in the Presentation of the permanent collection
Aargauer Kunsthaus
The Aargauer Kunsthaus is showing two works by Elisabeth Vary in its' presentation of the permanent collection.
Photo: Timo Ullmann, exhibition view of the Aargauer Kunsthaus, Aargau, 2021.
Simone Nieweg
permanent exhibition of K21
Two photographs by Simone Nieweg are exhibited in the permanent collection of the K21 in the Kunstsammlung NRW next to works by Thomas Struth and Richard Long.
permanent exhibition of K21
Two photographs by Simone Nieweg are exhibited in the permanent collection of the K21 in the Kunstsammlung NRW next to works by Thomas Struth and Richard Long.